Leigh Bardugo is a #1 New York Times bestselling author of fantasy novels and the creator of the Grishaverse. With over one million copies sold, her Grishaverse spans the Shadow and Bone Trilogy, the Six of Crows Duology, and The Language of Thorns—with more to come. Her short stories can be found in multiple anthologies, including The Best of Tor.com and the Best American Science Fiction & Fantasy. Her other works include Wonder Woman: Warbringer, and the forthcoming Ninth House. Leigh was born in Jerusalem, grew up in Southern California, graduated from Yale University, and has worked in advertising, journalism, and even makeup and special effects. These days, she lives and writes in Los Angeles, where she can occasionally be heard singing with her band.
Kameron Hurley is an award-winning author and advertising copywriter. Kameron grew up in Washington State, and has lived in Fairbanks, Alaska; Durban, South Africa; and Chicago. She has a degree in historical studies from the University of Alaska and a Master’s in History from the University of Kwa-Zulu Natal, specializing in the history of South African resistance movements.
Kameron is the author of the nonfiction collection The Geek Feminist Revolution, which contains her essay on the history of women in conflict “We Have Always Fought,” which was the first article to ever win a Hugo Award. It was also nominated for Best Non-Fiction work by the British Fantasy Society. Her nonfiction has appeared in numerous online venues, including The Atlantic, Bitch Magazine, Huffington Post, The Village Voice, LA Weekly, and Entertainment Weekly, and she writes a regular column for Locus Magazine. Kameron’s space opera, The Stars are Legion, was published by Simon and Schuster’s Saga imprint in February 2017. Her epic fantasy series, the Worldbreaker Saga, is comprised of the novels The Mirror Empire, Empire Ascendant, and The Broken Heavens (forthcoming in January 2018). Additionally, her first series, The God’s War Trilogy, which includes the books God’s War, Infidel, and Rapture, earned her the Sydney J. Bounds Award for Best Newcomer and the Kitschy Award for Best Debut Novel. Kameron’s short fiction has appeared in magazines such as Popular Science Magazine, Lightspeed, Vice Magazine’s Terraform, EscapePod, and Strange Horizons.
Kameron has won two Hugo Awards and a Locus, and been a finalist for the Arthur C. Clarke Award, Nebula Award, and the BSFA Award for Best Novel. Her work has also been included on the Tiptree Award Honor List and been nominated for the Gemmell Morningstar Award. In addition to her writing, Kameron has been a Stollee guest lecturer at Buena Vista University and taught copywriting at the School of Advertising Art. Kameron currently lives in Ohio, where she’s cultivating an urban homestead.
Violet Kupersmith is the author of The Frangipani Hotel, a collection of supernatural short stories about the legacy of the Vietnam War, and a forthcoming novel on ghosts and American expats in modern-day Saigon. She spent a year teaching English in the Mekong Delta with the Fulbright program and subsequently lived in the Central Highlands of Vietnam to research local folklore. She is a former resident of the MacDowell Colony and was the 2015–2016 David T.K. Wong Fellow at the University of East Anglia in Norwich, England. Her writing has appeared in No Tokens, The Massachusetts Review, Word Vietnam, and The New York Times Book Review.
Anna-Marie McLemore is the Mexican-American author of The Weight of Feathers, a 2016 William C. Morris YA Debut Award Finalist; 2017 Stonewall Honor Book When the Moon Was Ours, which was longlisted for the National Book Award in Young People's Literature and won the 2016 James Tiptree, Jr. Award; and Wild Beauty, a fairy tale of queer Latina girls and enchanted, murderous gardens. Blanca & Roja, a magical realism reimagining of Snow-White & Rose-Red meets Swan Lake, is forthcoming in 2018.
Anna-Marie’s historical short stories are forthcoming in the anthologies All Out, The Radical Element: Twelve Stories of Daredevils, Debutantes & Other Dauntless Girls, and Toil and Trouble. Her shorter work has previously been featured in The Portland Review, CRATE Literary Magazine’s “cratelit,” and Camera Obscura’s Bridge the Gap Gallery, and by the Huntington-USC Institute on California and the West.