If you’d like to extend your Sirens experience, we hope you’ll join us for the Sirens Studio! While Sirens is terrific, it can be hectic: so many people to see, so many conversations to have, not nearly enough time to grab a seat by the fire and just read. Sirens Studio, however, gives you both what you love about Sirens and that down time that we all need: small-group workshop intensives led by exceptional faculty in the morning; flexible time to read, write, or relax in the afternoon; and both a faculty reception and a film screening at night.
The 2018 Studio faculty biographies are below, and while the workshop topics and schedule for the Sirens Studio won’t be available until 2018, buying your ticket now will reserve your space with these exceptional faculty. Tickets are available to registered Sirens attendees, and include access to the Studio’s workshop intensives, the afternoon quiet and discussion rooms, the evening film screening, morning smoothies, and new in 2018, a Studio attendees-only faculty reception. The Sirens Shuttle will be available on the evening of Monday, October 22, to facilitate Sirens Studio attendees’ transportation to the Park Hyatt in Beaver Creek. In order to keep the experience conversational and somewhat intimate, we are limiting the number of Sirens Studio tickets to 65. If you have any questions or concerns, please write to us at (help at sirensconference.org).
Dates: Tuesday, October 23, 2018, and Wednesday, October 24, 2018
Time: 7:00 a.m. to 10:00 p.m. on Tuesday (and until 5:00 p.m. on Wednesday)
Ticket Price: $100
You may purchase tickets here.
Reading Intensive Faculty
Kinitra D. Brooks is the Ricardo Romo Endowed Chair of the Honors College and Associate Professor of English at the University of Texas at San Antonio. Her research interests include contemporary African American and Afro-Caribbean literature, black feminism, and horror studies. Her monograph, Searching for Sycorax: Black Women’s Hauntings of Contemporary Horror (Rutgers University Press 2017), is now available for pre-order. Her short horror fiction collection, Sycorax’s Daughters, co-edited with Susana M. Morris and Linda D. Addison at Cedar Grove Publishing, is now available for purchase. Currently, she is working on a book-length exploration of visual renderings of monstrous black women tentatively titled, Divinely Monstrous: Black Women Conjuring the Grotesque in Popular Culture. She is also coediting a volume on black women and horror entitled Towards a Black Women’s Horror Aesthetic: Critical Frameworks with Susana M. Morris and Linda Addison. She has published articles in African American Review, Obsidian, and FEMSPEC.
For more information about Kinitra, please visit her website or Twitter.
Zoraida Córdova was born in Ecuador and raised in Queens, New York. She is the author of The Vicious Deep trilogy, which centers around Tristan, who discovers his heritage and is thrown into a battle going on beneath the ocean, fighting for his future, his friends, and his life. Her other works include the On the Verge series, which is about 20-something-year-old-girls searching for love and the meaning of life, and Labyrinth Lost, about Alex, a bruja, the most powerful witch in a generation who hates magic so much that she performs a spell to rid herself of her power. Zoraida loves black coffee and snark, and still believes in magic. She is a contributing writer to Latinos in Kid Lit because #WeNeedDiverseBooks. Zoraida studied at Hunter College and the University of Montana in Missoula.
For more information about Zoraida, please visit her website or Twitter.
Justina Ireland enjoys dark chocolate, dark humor, and is not too proud to admit that she’s still afraid of the dark. She lives with her husband, kid, and dog in Pennsylvania. She is the author of Vengeance Bound
and Promise of Shadows
For more information about Justina, please visit her website or Twitter.
We will announce a fourth reading intensive instructor later in 2017.
Writing Intensive Faculty
K. Tempest Bradford is a speculative fiction writer by night, a media critic and culture columnist by day, and an activist blogger in the interstices. Her fiction has appeared in award-winning magazines the likes of Strange Horizons and Electric Velocipede and best-selling anthologies Diverse Energies, Federations, In the Shadow of the Towers, and many more. When not writing science fiction and fantasy or engaging in interstitial arts she contributes articles, essays, blog posts, and reviews to NPR, io9, and various other media outlets. She enjoys commenting on media as much as consuming it and prides herself on being a “harsher of squee” when it comes to television, movies, books, and other entertainment that doesn’t live up to high standards. She’s active in the SFF fandom community and volunteers for a number of non-profit organizations. In the past, she’s served as a juror for the James Tiptree Jr. Award; organized fundraising auctions and salons for the Interstitial Arts Foundation; raised funds for Clarion West, her writing workshop alma mater; and served as programming co-chair for WisCon39, a feminist science fiction convention. Currently she serves on the board of the Carl Brandon Society, an organization dedicated to increasing racial and ethnic diversity in the production of and audience for speculative fiction.
For more information about Tempest, please visit her website or Twitter.
Anne Ursu is the author of several books for young readers and is the 2013 recipient of the McKnight Fellowship in Children’s Literature. Anne’s latest book, The Real Boy, is an Indie Next pick and on the 2013 longlist for the National Book Award. She is also the author of Breadcrumbs, which was acclaimed as one of the best books of 2011 by the Bulletin of the Center for Children’s Books, School Library Journal, Publishers Weekly, Amazon.com, and the Chicago Public Library. It was also on the IndieBound Next List and was featured on NPR’s Backseat Book Club. Anne is also the author of the three books that comprise The Cronus Chronicles: The Shadow Thieves, The Siren Song, and The Immortal Fire. Anne teaches at Hamline University’s MFA in Writing for Children and Young Adults, and lives in Minneapolis with her son and three cats.
For more information about Anne, please visit her website or Twitter.
Career Development Intensive Faculty
Rhoda Belleza was raised in Los Angeles, where she grew up writing X-Files fanfiction and stuffing her face with avocados. She’s a children’s editor at the imprint Imprint, a part of Macmillan Children’s Publishing Group, and writes from a sunny Brooklyn apartment stuffed with far too many bikes and far too many shoes. When she’s not editing or writing, Rhoda obsesses over nail art tutorials, watches kung fu movies, and sews together crooked things that pass for clothes. Empress of a Thousand Skies is her debut novel.
For more information about Rhoda, please visit her website or Twitter.
Andrea Horbinski holds a PhD in modern Japanese history with a designated emphasis in New Media from the University of California, Berkeley. Her book manuscript, “Manga’s Global Century,” is a history of Japanese comics in the twentieth century. She has discussed anime, manga, fandom, and Japanese history at conventions and conferences on five continents, and her articles have appeared in Transformative Works and Cultures, Convergence, and Mechademia. She also has extensive experience volunteering with feminist and fannish organizations. She served as the Secretary of the Board of Directors of the Organization for Transformative Works (2012–15), and was on the Advisory Board of the Ada Initiative, a breakthrough not-for-profit advocating for women’s careers in open source software and related fields, before it ceased major operations in 2015. She joined the TAI Board of Directors in 2015, and continues to serve as Secretary of the Board for the rump organization as it winds down. She’s a lifetime member of the Girl Scouts USA.
For more information about Andrea, please visit her website or Twitter.