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Further Reading: Mishell Baker

Loved Borderline? Looking for more of Mishell’s work after reading The Arcadia Project novels? As part of Mishell’s Guest of Honor week, we’re pleased to compile some of her short fiction, interviews, and guest posts, found around the web.

Mishell’s short fiction:

  • Throwing Stones” (2010): Originally published in Beneath Ceaseless Skies, a short story about a young man disguised as a woman and a goblin disguised as a human who discover that they have a common purpose.

  • Break” (2011): Originally published in Daily Science Fiction, a story in which aspirin counters the effects of a love potion.

  • Vaporware” (2011): Originally published in Redstone Science Fiction, a short story where two characters use simulations to select between eight embryos.

  • Fire in the Haze” (2016): Originally published in Beneath Ceaseless Skies, a short story that revisits the protagonist from “Throwing Stones” many years later.

In Mishell’s own words:

  • Not as Crazy as You’d Think: The Borderline Protagonist in Fantasy (2016), a guest post in Uncanny magazine: “So in fantasy, at least, a Borderline is in her element. And if we can imagine a context in which a stigmatized disorder does not destroy the life of the person who suffers from it, what questions does that raise?”

  • Interview in My Bookish Ways (2016): “For me, what makes Millie sympathetic is how hard she works at getting through or around her own vulnerabilities . . . I guess you could say she’s given up on giving up.”

  • Interview in The Speculative Herald (2016): “ I knew that I wanted to write about someone who had survived a suicide attempt, because I have such strong feelings about the phoenix-like effect of hitting rock bottom and then emerging into an entirely new existence.”

  • Mishell’s The Big Idea post (2017) on Whatever, John Scalzi’s blog: “Anytime we battle the invisible, whether it’s a ghost or something that haunts us psychologically, the only weapon is investigation. Find the source of the pain and hold a mirror to it, create something real and tangible that you can fight in its stead.”

  • A Heroine Like No Other (2017), Mishell’s interview in The Huffington Post: “I always think of my stories as ‘interactive’ even when they aren’t, in the strictest sense.”

 

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