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Rine Karr: Exclusive Sirens Interview

We’re getting to know some members of the Sirens community! In this attendee interview series, we talk to scholars, creators, professionals, readers, and more: about their love of fantasy literature, their current work and passions, why they chose to attend Sirens, and what keeps them coming back. We think you’ll find that the Sirens community is full of fascinating, accomplished individuals with much to share—and we hope you’ll join us someday!

Today, Sirens co-chair Manda Lewis interviews Rine Karr, a reader, writer, copy editor, and tea-lover who first attended Sirens just last year!

 

MANDA LEWIS: When did you fall in love with fantasy literature? What do you love about it?

Rine Karr

RINE KARR: Oh my gosh, I don’t really know exactly when I fell in love with fantasy literature. I was lucky to be raised by bookworms. My parents met playing D&D, which says a lot about how imaginative my family can be. As a child, I remember poring over my mum’s unicorn coffee table books, reading lots of fairy tales, Greek and Roman myths, and fantasy books like The Lion, the Witch, and the Wardrobe. I also watched a lot of fantasy films like The Princess Bride, Willow, and The Last Unicorn. I somehow missed out on the Song of the Lioness series, but I read other fantasy books like A Wrinkle in Time, The Chronicles of Prydain, The Worlds of Chrestomanci, Redwall, lots of Point Fantasy books, as well as my parents’ Science Fiction Book Club books. I was close to the target age for Harry Potter when it came out, so I read those, of course (although I don’t really want to acknowledge J. K. Rowling right now). I was also obsessed with the His Dark Materials trilogy. Strangely, I didn’t read any Tolkien until after the Lord of the Rings movies were released, although, at the time, I think I got into those mostly because of Legolas!

Regarding what I love about fantasy literature, I could probably write an entire thesis on this topic. I think that back when I was a kid, although now too, I loved fantasy stories because they were a means of escape. There are times—like now—when life can be very difficult. Fantasy stories can transport us away from our problems, even if for only a little while. Fantasy stories are exciting. They often portray better worlds. But even if they don’t portray better worlds, fantasy stories show us how to be better in the face of injustices and truly frightening things. There have been many times when I’ve found solace and strength in the actions of a character in a fantasy story. Ella in Ella Enchanted, for instance, was an important heroine for me when I was a child.

 

MANDA: Close your eyes and imagine: You are in your ideal reading space, the aroma of your favorite beverage is wafting toward you, and you are holding a favorite book. Where are you? What elements are important to creating this space for you? And how much does creating this space affect your reading experience?

RINE: If I were to close my eyes and imagine the perfect reading space, it would be a private library with a big comfy chair to read in and a forest or a lake or the ocean outside the window. There would be tea—and lots of it—and probably a thick fantasy book in my lap. Unfortunately, I don’t really have a space like that right now. I live in a city in a one-bedroom apartment that is a bit of a mess currently because of the pandemic and having to find space for both myself and my partner to work from home. Most of the time, I read on the couch or in bed before bedtime. Reading is not really a ritual practice for me—it’s just something I always do! I read during quiet moments at work. I read on my lunch hour. I read while my food is cooking. I read whenever I can. Before the pandemic, I read a lot on my commute, both e-books and audiobooks on my phone. I think that I’ve learned how to make both space and time for reading, and that I hardly think about the atmosphere within which I read anymore out of necessity. Still, I’d love to have a devoted reading space in my home someday.

 

MANDA: I’m curious if your background in anthropology affects how you approach reading. Do you enjoy stories where there is a strong depth to the societies and the history of the world? Is it irksome when it’s not believable—and what makes it not believable for you?

RINE: My background in anthropology probably does affect how I approach reading, although it has been a long time since I’ve studied anthropology. It was one of my majors in undergrad, the other being religious studies. Also, my anthropology coursework focused more on archaeology, especially the science of it—lots of digging in the ground, learning how to use plumb bobs and such. So, when I see stories about archaeologists, I do often find it irksome when they’re portrayed like Indiana Jones, even though I do like Indy. I can be pretty critical of stories portraying archaeologists having wild adventures and basically stealing from other cultures. Archaeologists in the past did sometimes do these things, but good archaeologists now don’t.

But anyway, I think that I do enjoy stories that have a strong depth to the societies and the history of the world. I’ve always been imaginative and can suspend my disbelief, but I do find myself lauding books that have strong worldbuilding. When the world in a story is believable, when it feels more concrete, it makes it easier for me to fall into that story. Of course, believability is a difficult quality to describe because it can be subjective and different for everyone. But for me, I think it’s a sense of logic. I think that’s why, as an adult, I don’t really enjoy fairy tales or fairy-tale retellings as much as I did as a child. I want concrete answers about why something is happening in a story, and fairy tales don’t often explain why something is happening.

For example, I know a lot of people loved This Is How You Lose the Time War, but I struggled with it. I know the purpose of this story is the love story and the beautiful prose—which is thoughtfully written—but I couldn’t help but wonder about the future, the war, and the mechanics of time travel as I read this story. I wanted to know all of the things, which is why perhaps a book like Ancillary Justice is more my style. There’s a lot in Ancillary Justice that Ann Leckie doesn’t tell us—after all I don’t want all the answers—but there is so much about Radch culture—the tea, the deities, the gloves, Radch views on purity and impurity, their views regarding gender, the list goes on and on—that she does give. I really do enjoy that kind of worldbuilding!

 

MANDA: You recently created a wonderful dragon-themed reading list for Sirens. Have you come across a depiction of a dragon that you would befriend and wish to have in your daily life? If so, who and from what book? If not, what dragon qualities make you glad they are on the page and not in your living room?

RINE: I’m going to cheat a little with this question because one of my favorite dragons comes from a film and not a book, but…I can’t help it! I think my favorite dragon is Haku from Spirited Away. His love for Chihiro makes my heart melt. Also, I’ve always liked how Studio Ghibli and Hayao Miyazaki weaved Japanese Shinto and Buddhist folklore into the worldbuilding for Spirited Away, especially Haku’s true identity, which I won’t reveal here to avoid spoilers, but which is reminiscent of my own feelings regarding nature and how humans, no matter what we do, will always be part of the natural world.

 

MANDA: Why did you first decide to come to Sirens? And then why did you decide to come back to Sirens the next year?

RINE: If I recall correctly, I first heard about Sirens from V. E. Schwab’s Twitter. I think it was 2017, the year Schwab attended as a guest. At the time, I was still just getting into science fiction and fantasy writing, although I was of course reading voraciously as I always have. So, I wasn’t sure if Sirens was for me. I was definitely intrigued by the con, especially because of how Sirens focuses on women and nonbinary people in SFF. I’d thought about attending a local SFF writing convention before, but I’d decided against it because I didn’t feel comfortable going alone into what felt like a highly male-centered space. In the end, when Sirens moved down from the mountains and into Denver, I knew I wanted to attend because that made it much easier and more affordable for me to get there. I decided to return because although I only dipped my toe in last year, I had a wonderful time. I’d like to continue meeting more fellow SFF lovers, and I’d like to contribute more to the Sirens community in the future. I really want to support Sirens’s mission.

 

MANDA: Sirens is about discussing and deconstructing both gender and fantasy literature. Would you please tell us about a woman or nonbinary person—a family member, a friend, a reader, an author, an editor, a character, anyone—who has changed your life?

RINE: This is such a difficult question because there have been so many wonderful women who have changed my life—my mum, my sister, my grandmothers, my maternal great-aunt, my mother-in-law, one of my partner’s aunts, a boss I had in the past, and a few Dharma friends that I have. All of these people, and more, have for one reason or another shaped who I am today. The ways in which they’ve changed my life are largely personal, but I think each of them has taught me in their own way how to find and kindle my inner strength, and many of them have taught me how to move with confidence in a world that so often pressures women and nonbinary people to conform to certain social conventions, many conventions of which I’ve learned to no longer accept. Basically, many of these people have taught me how to keep up the good fight against the patriarchy!

If I were to pick a fantasy author specifically who has changed my life recently, I think I’d pick someone I mentioned earlier: V. E. Schwab. When I was beginning to get back into reading fantasy again after a long break from it (grad school can unfortunately do this to people) and I was starting to work on writing my own fantasy stories too, a friend—one who has also changed my life—introduced me to the Shades of Magic series, and from that time on, I’ve primarily read fantasy stories written by women and nonbinary authors. I had finally realized with Schwab’s series that these are the types of stories that I wanted and needed—stories by and about women and nonbinary protagonists who are allowed to be who they are no matter what. Stories that remind me of the stories I read as a child. Stories like those of Gail Carson Levine, Diane Duane, Ursula K. Le Guin, Madeleine L’Engle, Diana Wynne Jones, Susan Cooper, and K. A. Applegate, but ones written by my own generation of women and nonbinary writers.

 


Rine Karr is a writer and aspiring novelist by moonlight and a copy editor by daylight, with a background in anthropology/archaeology, international human rights, and Buddhist studies/art history. When Rine is not writing or otherwise working, she can be most often found reading books and drinking tea. She also loves to travel, and her heart is located somewhere between Hong Kong and London, although Rine currently lives in the shadow of the Rocky Mountains with her partner. She’s also currently—and almost always—in the midst of writing a novel.

Manda Lewis served as an engineer in the Air Force for seven years. She currently works for a children’s museum in Raleigh, North Carolina, hosting after-hours special events. She is also the caretaker of two small bundles of chaos. Manda has always made it a habit to draw, color, and doodle on just about everything within reach and loves themes far more than anyone really should. She has been a volunteer for Narrate Conferences since 2007.

New Fantasy Books: August 2020

We’re excited to bring you a roundup of August 2020 fantasy book releases by and about women and nonbinary folk. Let us know what you’re looking forward to, or any titles that we’ve missed, in the comments!
 

Adriana De Persia Colón: Exclusive Sirens Interview

We’re getting to know some members of the Sirens community! In this attendee interview series, we talk to scholars, creators, professionals, readers, and more: about their love of fantasy literature, their current work and passions, why they chose to attend Sirens, and what keeps them coming back. We think you’ll find that the Sirens community is full of fascinating, accomplished individuals with much to share—and we hope you’ll join us someday!

Today, Sirens co-chair Amy Tenbrink interviews Adriana De Persia Colón, an accomplished scholar who just earned her master’s degree in English Education!

 

AMY TENBRINK: You just completed your master’s degree in English Education at the University of Puerto Rico at Mayagüez, with a focus on studying the connections between books and society. Would you please tell us a bit about your scholarship and why you find that studying these connections is so crucial?

Adriana De Persia Colón

ADRIANA DE PERSIA COLÓN: My thesis scholarship mostly focused on twentieth-century Caribbean reimaginings of Shakespeare’s The Tempest, the anti-colonial tradition of resisting the rule and influence of Western empires. Books—stories—play a role in shaping our consciousness, the way we see ourselves and those around us. Puerto Rico is a nation under US rule, previously under Spanish empire rule, so I was interested in exploring the ways stories colonize us or help us break free and continue to give us agency, collectively and/or individually.

 

AMY: Next up for you is heading to the University of Cambridge in the fall to pursue your Ph.D. in Education at the Centre for Research in Children’s Literature! How do you plan to focus your work while you’re there?

ADRIANA: Whether I am physically present there or at home in Puerto Rico is a big question due to COVID-19. My original proposal was about reimagining villainy in Latinx YA fantasy as a framework that empowers marginalized characters and BIPOC. While working with villains is still in my plans, my focus shifted to Boricua YA stories specifically and Puerto Rico’s relationship to the world. Exploring the ways characters navigate ethnoracial identities, belonging, and agency are some areas that interest me.

 

AMY: What makes fantasy—and perhaps science fiction—literature special to you? What does this genre provide that you find that others don’t?

ADRIANA: I love that SFF is often intersecting with various genres because it’s so malleable. I also love that SFF can tackle complex issues such as imperialism and colonialism, for example, while having action-packed plots and adventures.

 

AMY: What do you hope for the future of fantasy literature—and the future of scholarship related to fantasy literature?

ADRIANA: I want more Boricua high fantasy and fantasy set in Puerto Rico by BIPOC Boricuas! Puerto Rico, like the rest of the world, is complex, with tons going on all the time, and I’d love to see all those narratives in all the languages that are spoken on the archipelago. As for the scholarship, that we continue to center and credit BIPOC voices as well.

 

AMY: Why did you decide to come to Sirens?

ADRIANA: An author’s tweet got me interested in Sirens a few years back. There are a few reasons why I decided to attend this year: the theme of villains, getting to hear from some powerhouses in fantasy, connecting with the community, and Sirens’s emphasis on making sure all voices are heard.

 

AMY: Sirens is about discussing and deconstructing both gender and fantasy literature. Would you please tell us about a woman or nonbinary person—a family member, a friend, a reader, an author, an editor, a character, anyone—who has changed your life?

ADRIANA: My mom. Wouldn’t be where I am without her.

 


Adriana De Persia Colón is a 2019-2020 Highlights Foundation Fellow. She has an MA from the University of Puerto Rico at Mayagüez. She starts her PhD at the University of Cambridge in the fall of 2020.

Casey Blair’s “Women Who Dream Big Dreams” Recommended Reading

The Sirens Review Squad is made up of Sirens volunteers, who write reviews and books lists of fantasy and related works by women or nonbinary authors. If you’re interested in sending us a book list or review for publication, please email us! Today, we welcome a book list by Casey Blair.


Women in SFF Who Dream Big Dreams and Don’t Let Anyone Stop Them


Where the Mountain Meets the Moon

Where the Mountain Meets the Moon by Grace Lin

This is about a girl who has no reason to believe anything is possible but does anyway, and she sets off on a quest to find the answer to happiness. As one does.

A Memory Called Empire

A Memory Called Empire by Arkady Martine

An untried but brilliant poet-diplomat thrust into the heart of a galactic empire, with Byzantine politics written by an academic Byzantinist? Yes, you can take my money.

Peasprout Chen: Future Legend of Skate and Sword

Peasprout Chen: Future Legend of Skate and Sword by Henry Lien

This heroine is going to be the very best martial arts skater (yeah, you read that right) like no one ever was. Oh wait, she already is.

The Spirit Thief

The Legend of Eli Monpress series by Rachel Aaron

Pretty much every female character in these books, be she a sorceress, a scientist, a goddess-general or the demonically possessed, is completely uncontainable. Also no one has time for romance.

The Fifth Season

The Fifth Season by N.K. Jemisin

No spoilers on this book’s heroines, but, uh, if you haven’t read this book yet I don’t know what to tell you other than you really, really should. It’s as stunning of an achievement as everyone says.

Sorcery of Thorns

Sorcery of Thorns by Margaret Rogerson

This is a heroine who just flatly does not understand giving up—and certainly not when there are magic libraries involved.

An Unkindness of Magicians

An Unkindness of Magicians by Kat Howard

Unraveling institutional oppression with epic tournament battles. That’s it, that’s the pitch.

The Beast Player

The Beast Player by Nahoko Uehashi

No one is going to stop this quiet heroine from completely changing how the world understands magical creatures.

Unnatural Magic

Unnatural Magic by C.M. Waggoner

Pro tip: Don’t try to keep a genius magic scholar heroine down.

The Candle and the Flame

The Candle and the Flame by Nafiza Azad

In a city that’s a dazzling blend of cultural experiences, this story has so many amazing women across walks of life—princess or businesswoman or unstoppable djinn.

Dragonsbane

Dragonsbane by Barbara Hambly

This heroine is devoted to her magic work first and foremost—even if she’s not good enough, even if no one else cares, she doesn’t sacrifice what matters to her for family or love or anything. Her children and husband (that’s right, a heroine older than the age of 30! sorcery!) cope.

Spin the Dawn

Spin the Dawn by Elizabeth Lim

Gonna be a seamstress and make clothes out of literal magic, nbd.

The Summer Prince

The Summer Prince by Alaya Dawn Johnson

In a futuristic post-apocalyptic Brazil, this heroine weaponizes the power and clarity of art for resistance, rebellion, and change.

The Merciful Crown

The Merciful Crow by Margaret Owen

This is a heroine with a chip on her shoulder a mile wide who does not know the meaning of letting anything go and will call out and hold absolutely everyone accountable—herself most of all.

The Shadows Between Us

The Shadows Between Us by Tricia Levenseller

This heroine is just straight-up an unabashed villainess, and it is SO MUCH FUN.

The Dragon with a Chocolate Heart

The Dragon with a Chocolate Heart by Stephanie Burgis

Being a young dragon when everyone is stronger is hard. Instead, consider getting transformed into an even weaker human and determining to learn all the secrets of chocolate. That will definitely go well.

Empire of Sand

Empire of Sand by Tasha Suri

Outcast from everywhere and everyone, this is a heroine who makes her own place and changes the world to do it.

And that’s what I want to read more of.


Casey Blair

Casey Blair writes adventurous fantasy novels for all ages, including the novella Consider the Dust and her cozy fantasy serial Tea Princess Chronicles. After graduating from Vassar College, her own adventures have included teaching English in rural Japan, attending the Viable Paradise residential science fiction and fantasy writing workshop, and working as an indie bookseller. She now lives in the Pacific Northwest and can be found dancing spontaneously, exploring forests around the world, or trapped under a cat. For more information, visit her website or her Twitter.

Sirens Newsletter—Volume 12, Issue 7 (July 2020)

This month:

Wasn’t cabin fever supposed to be a winter malady? With pandemic protections and unpleasant weather combining forces to keep people from venturing outdoors, we know many in our Sirens community may be weary of pinging against familiar walls. We hope that we can give your mind a respite and a bit of escape through this month’s interviews, essays, and book recommendations!

2020 Postponement

We hope you’ve seen our email or website announcement about the postponement of Sirens to October 2021. While we will miss the Sirens community so very much, given the continued presence of COVID-19, we prioritized the health and well-being of our attendees, presenters, guests, staff, and everyone whom their lives touch.

If you had already registered for Sirens and/or been accepted for programming, please check your email for information about how to proceed.

We hope that everyone will stay safe and well, wear your masks, and be ready to reconvene next year!

 

Sirens Chats

Fortunately, modern technology does afford us ways to keep in touch, even when we can’t congregate in Denver as planned. Our next Sirens Zoom chat will be on Tuesday, August 4, 8 p.m. EDT. We’d love to see your face! These chats have been a wonderful way to keep in touch, take a few minutes to relax, and discuss what we’re loving in fantasy fiction right now. If you haven’t joined us before and you’d like to, please email help at sirensconference.org, and we’ll add you to the list to receive reminders and the Zoom link.

We also have a text-only chat option! On Thursday, August 6, 9 p.m. EDT, we’ll have August’s Twitter chat on the topic of weather and climate in speculative fiction. Simply follow #SirensChat and answer questions with the hashtag to join in!

 

Sirens Essays

We released three more genius essays interrogating some weighty issues this month. The summer round of Sirens Essays will wrap up in August, so be on the lookout for the final installment.

  • Bestselling author V. S. Holmes unpacks the harmful implications that attend the assignation of disability and disfigurement to villainous characters in “Moral Disability: How Villainy Looks When You’re the Monster”. Holmes asks readers and creators alike to consider the message sent when a character becomes evil because of illness or injury and the further implications of redemption arcs and magical or technological “cures” for their conditions.

  • In “A Room of Her Own: The Post-Modern Haunted Houses of Nova Ren Suma,” editor and freelance writer Meg Belviso explores “the haunted house as a transitional space” in modern speculative fiction. She focuses on Nova Ren Suma’s YA novels The Walls Around Us and A Room Away from the Wolves, which center the two-pronged liminality of teenaged heroines experiencing hauntings while living in temporary housing.

  • S. M. Mack, scholar and author of short fiction, examines the necessity of sitting with painful realities in “On Bearing Witness in Pat Barker’s The Silence of the Girls, connecting a book that re-centers the Iliad on Briseis, enslaved and abused by Achilles and Agamemnon, to present-day injustices and crises.

Interviews

In July, we continued featuring the amazing people who will be running workshops during Sirens Studio. We’re delighted that they’ll all be joining us in 2021! We hope these interviews will serve as good introductions and help you look forward to meeting them in safer times.

  • Author, former anthropologist and folklorist, and former Sirens Guest of Honor Marie Brennan discusses crafting character voices, fuzzy boundaries between academic and non-academic writing, and her Sirens workshop, “Faith in Fantasy: Building Believable Religions.”
  • In her interview, Ren Iwamoto, a scholar focusing on twentieth-century East Asian literature, Japanese colonialism, and post-colonial discourse, expresses her view that “speculative fiction should destabilize” and prepares us for her Studio workshop, “Seasoned with Soy Sauce: Asianization in Western Speculative Media and What It Means to Be ‘Asian-Inspired’.”

This month, we also began featuring members of our Sirens community! In the coming months, you’ll hear from a variety of attendees representing the wide spectrum of professions and backgrounds which makes Sirens so vibrant.

  • Nicole Brinkley, manager of Oblong Books & Music, tells us what she loves about hand-selling books, how she fits a book to a reader, and her hopes for the future of speculative fiction.
  • Teacher Traci-Anne Canada tells us about building a classroom library and helping students find books they enjoy and that will speak to them.
  • Voracious reader Danielle Cicchetti shares the books she’s been loving recently, her secrets to finishing 150+ books a year, and how Sirens has contributed to her reading habit.

 

 

Books

Whether you’re reading in the bright sunshine or huddling beneath the sweet shelter of the air conditioner, we hope we can introduce you to your new best book friend! This month’s book recommendations feature a dazzling array of new releases and old favorites, guaranteed to invite you into other worlds and to prompt you to think critically about the one we live in.

Book Recommendations and Reviews:

  • Faye Bi recommends Bethany C. Morrow’s A Song Below Water as a crucial component of a reader’s journey to anti-racism. “[Morrow] seamlessly and ambitiously unpacks intersectionality, racism, sexism, police brutality, protesting, affirmative action, gentrification, education, beauty standards, and more.”
  • Casey Blair provides a list of books featuring “Women in SFF Who Dream Big Dreams and Don’t Let Anyone Stop Them”.
  • Chelsea Cleveland reviews The Power by Naomi Alderman: “While this isn’t the first title I’ve come across where supernatural abilities were attributed to one gender, I have never seen it done with such gut-punching impact or specificity.”
  • Whether high summer has you yearning for the adventure of a road trip, the solitude of camping in the woods, or the sweet scent of the ocean breeze, Amanda Hudson’s Summer Nights rec list has something sure to delight.
  • If those recommendations aren’t enough to get you through the dog days of summer, be sure to look at our compilation of July 2020 new releases!

And here are a few staff picks for this month:

Erynn’s Pick: Wonderland by Zoje Stage

Wonderland

At the age of 41, Orla Bennet is reluctantly retiring from the dance stages of New York City and relocating with her family to a farmhouse in the Adirondack mountains. Quiet and privacy are the charms of their new expansive home with the closest neighbor a mile away. The space is intended to afford her partner, Shaw, inspiration for his new-found calling as an artist, their anxious preteen daughter her own bedroom, and their exuberant son freedom for his curiosity.

But, of course, strange things start to happen once they settle in. An enigmatic presence calls to the family through the trees and earth, seeping into their minds, and securing their isolation. Part suspense, part horror, Stage’s story is one of maternal strength told with exquisite prose.

Cass’s Pick: Unconquerable Sun by Kate Elliott

Unconquerable Sun

If “genderflipped Alexander the Great in space” doesn’t grab you, then perhaps “genetically engineered human-aliens, cutthroat galaxy-spanning politics, queernorm worldbuilding, and imaginative future tech” will. Unconquerable Sun is an ambitious and exciting opening to a new series, inspired by but not directly imitative of its historical sources. There are plenty of Easter eggs for the classical studies geeks, but nothing in the book relies on that knowledge. Elliott builds a whole new galaxy with deep roots and evocative details.

Sun is an astonishing hero: charismatic, decisive, brilliant, sharp. The cast that surrounds her is equally grand, from the wily Persephone to the handsome Alika and all the rest of Sun’s Companions. The writing is as bold as Sun herself. Elliott has taken some risks in the way she handles the various point-of-view characters, changing person and tense in a way that helps the reader feel, deeply, the soul-deep shifts between each character, rather than merely placing the camera behind another person’s head. It pays off: the book is an enthralling adventure from start to finish.

 


Keep cool, keep safe, and keep reading!

This newsletter is brought to you by:

Questions? Concerns? Please email general queries to (help at sirensconference.org) and questions about programming to (programming at sirensconference.org).

 

Books and Breakfast: A Feast of Sorrows, Queen of the Conquered, and The Mere Wife

Each year, Sirens showcases the breadth and complexity of our annual theme through our Books and Breakfast program. We select a number of popular, controversial, and just plain brilliant books that address aspects of our theme, and then attendees bring their breakfasts and join a table to discuss one of those books—another chance to deconstruct, interrogate, and celebrate the work that women and nonbinary are doing in fantasy literature!

For our 2021 conference, as we examine gender and villainy, and relatedly, redemption—fraught topics full of artificial constraints and defied stereotypes—our Books and Breakfast program features titles meant to broaden that examination. We’ve chosen eight works, full of questions, but few answers; dastardly villainy, and occasional redemption; and a number of female and nonbinary villains who may, despite or because of their villainy, be someone worth celebrating.

Earlier this summer, we highlighted our graphic selections: Monstress: Awakening and Nimona. Today, we’re showcasing our three adult selections: A Feast of Sorrows, Queen of the Conquered, and The Mere Wife. Next month, we’ll finish up with our young adult selections. We hope these features will help you make your choice and tackle your reading before Sirens next year.

 
2021 BOOKS AND BREAKFAST SELECTIONS

A Feast of Sorrows by Angela Slatter
Girls Made of Snow and Glass by Melissa Bashardoust
Monstress: Awakening by Marjorie Liu and Sana Takeda
Nimona by Noelle Stevenson
Queen of the Conquered by Kacen Callender
Slice of Cherry by Dia Reeves
The Mere Wife by Maria Dahvana Headley
Wilder Girls by Rory Power

A Feast of Sorrows by Angela Slatter

A Feast of Sorrows

While calling Angela Slatter the heir apparent to Angela Carter and Emma Donoghue may seem a bold assertion, it’s appropriately so. Carter and Donoghue twisted fairy tales, reclaimed them, told violently feminist or joyously queer versions of them. But despite their obvious feminism, Carter’s and Donoghue’s tales often remain in conversation with their more traditional, more heteropatriarchal versions. Carter’s “The Bloody Chamber” reclaims Bluebeard, conjuring a mother as savior rather than the violent, patriarchal heroism of the original. Donoghue’s Cinderella in “The Tale of the Shoe” still seeks her coupled-up happily ever after, but with the fairy godmother rather than the prince. Both of their work is an undeniable fuck-you to the heteropatriarchy, but their defiance must remain conversant with that same heteropatriarchy.

By contrast, Slatter—like her heroines—often eschews that conversation entirely. She has little interest in correcting, instructing, or even raging at the heteropatriarchy. She has little interest in explaining to the heteropatriarchy why Bluebeard cannot kill this wife or why Cinderella would obviously be so much happier with her godmother. She—like her heroines—is busy. Busy being, if you will: being frightened and fearless, being brave and bold, being frail and fantastical. Being relentlessly awesome. Being, quite often, villainous.

A Feast of Sorrows, one of World Fantasy Award- and British Fantasy Award-winning Slatter’s collections of short fiction, features twelve of her finest, darkest fairy tales. Her women and girls take paths less travelled, offer and accept poisoned apples, and embrace all sorts of transformation. You won’t find just princesses and ghosts and killers here, but a full gamut of artisans as well: bakers, quilters, crafters, spinners, and coffin-makers. Never have the feminine arts been so magical or so deadly. This collection is one to be savored one story, one revelation, and one smart, determined, independent woman at a time.


Queen of the Conquered by Kacen Callender

Queen of the Conquered

On the island of Hans Lollik, in a fantasy Caribbean, Sigourney has risen from the ashes. Her family was murdered by colonizers years earlier for daring to ascend from slavery to nobility—but Sigourney survived and, through sheer determination and gutsy smarts, has again achieved the rank of nobility. And in this work of impressive intrigue, Sigourney’s identity is secret, her magic dangerous, and her heart focused on revenge. The childless king has declared that he will select his successor from among the nobility and ambitious, vengeful Sigourney wants that title, is willing to kill for that title, in order to help her people. But someone is murdering nobles, the king isn’t quite what he seems, and Sigourney is a ready suspect. Not only is her years-long plan on the line, her life might be as well.

Queen of the Conquered is smart. Really smart. Callender simultaneously constructs both a complicated murder mystery and a searing indictment of slavery and colonialism. Their cast of characters is complex, full of individual and treacherous magics, all certainly capable of planning and executing a series of murders. But the more impressive, important achievement is weaving this mystery into a fully realized world of colonization, slavery, and potential change. Callender’s bedrock is power disparities and they use those skillfully as a foundation for their complex world of choices and compulsion, dominance and pain, compromises and uprisings. Only rarely—in the work of N.K. Jemisin, perhaps, or Justina Ireland—have you read a fantasy work like this.

And yet, with all of that, Callender’s tour de force is Sigourney Rose, born into the nobility despite her dark skin, improbable survivor of the massacre of her family, an impossibly complex, ambitious woman playing an impossibly long game. Sigourney is a victim, but also—perhaps—a villain. Her status grants her slave ownership—slaves she could free, but does not. She punishes her slaves, and has sex with some, knowing that they cannot refuse her. She seeks power purportedly for the good of her people, but while she lives in luxury, her people continue to suffer, often at her hand. She’s playing the long game, where great risk could bring great reward, but what about the sacrifices she demands of her powerless people in the meantime? Victimhood and villainy, it seems, are not mutually exclusive.

The Mere Wife by Maria Dahvana Headley

The Mere Wife

Herot Hall, the suburban setting of Maria Dahvana Headley’s Beowulf retelling, is a Stepford-pretty utopia: Everything is picket fences and carefully arranged flowers, big houses and perfect families. And for Willa, married to Herot heir Roger, life is perfect, her carefully curated self raising her carefully curated son, Dylan, in her carefully curated house. Her schedule is a beautiful round of dinner parties and playdates, glamorous clothes and perfect meals. But Willa lives on the edge of Herot Hall, where all this careful curation is guarded from the outside by walls and surveillance cameras. These defenses make Willa feel safe, but they aren’t enough to keep out Gren.

Gren belongs to Dana, a soldier who didn’t want Gren and doesn’t really understand how she gave birth to Gren, but when she returned from war, she had Gren. Now they struggle to survive in a cave outside the reaches of Herot Hall. The lasting effects of war seem like an impossible mountain to climb in returning to society, so Dana remains—with her son—on the periphery, each day a new challenge in their solitary existence. But Gren is growing, and exploring, and doesn’t always share his mother’s damage—or her fear.

In this contemporary exploration of monstrousness and society, Dylan and Gren are the catalysts, but not the monsters. Both Willa and Dana live in careful worlds, where, like anyone, their pasts, their fears, and their hopes underlie their expectations and their choices. Both Willa and Dana try, with little success, to impress the importance of these careful worlds onto their sons. As Gren grows, his curiosity drives him into Herot Hall and he secretly befriends Dylan. With that series of encounters, both Willa’s and Dana’s carefully constructed worlds collapse: Their fears lead them to make sometimes desperate, sometimes illogical, sometimes monstrous decisions—and ultimately The Mere Wife asks readers: How monstrous are you?

Sirens Essay: On Bearing Witness in Pat Barker’s The Silence of the Girls

At Sirens, attendees examine fantasy and other speculative literature through an intersectional feminist lens—and celebrate the remarkable work of women and nonbinary people in this space. And each year, Sirens attendees present dozens of hours of programming related to gender and fantasy literature. Those presenters include readers, authors, scholars, librarians, educators, and publishing professionals—and the range of perspectives they offer and topics they address are equally broad, from reader-driven literary analyses to academic research, classroom lesson plans to craft workshops.

Sirens also offers an online essay series to both showcase the brilliance of our community and give those considering attending a look at the sorts of topics, perspectives, and work that they are likely to encounter at Sirens. These essays may be adaptations from previous Sirens presentations, the foundation for future Sirens presentations, or something else altogether. We invite you to take a few moments to read these works—and perhaps engage with gender and fantasy literature in a way you haven’t before.

Today, we welcome an essay from S.M. Mack!

On Bearing Witness in Pat Barker’s The Silence of the Girls
by S.M. Mack

Content warning: references to and discussion of rape in general terms, mention of dissociation

I don’t like reading rape scenes. They are almost always gratuitous, and almost always unnecessary to the plot. (“Almost always” here means 99.98 percent of the time.) Explicit rape scenes, no matter how well intended the author might be, are voyeuristic. Give everyone—the character and the reader both—a break, will you? We don’t need to see it happen. If an assault is unavoidable within the confines of a story, it’s the aftermath of the assault that is important for a character’s arc—how they respond to it and how it shapes their decisions going forward. Also, the aftermath is traumatic enough for both the character that has been assaulted and for the reader.

The Silence of the Girls

By the time I was mature enough to realize I could curate my reading preferences, that I could set boundaries and decline to read stories with rape or other exploitative events and themes, I was in my mid-twenties. It was such a relief to quit consuming these stories, to teach myself that rape scenes were misused in the vast majority of the fiction they appeared in, and to seek out stories with better avenues for narrative tension and character growth. In the years since then, I’ve tripped over exactly two books that fall under the begrudging “I’ll allow it” category: The Devourers by Indra Das and The Silence of the Girls by Pat Barker. (In both novels, it should be noted, the persons being raped are ciswomen and the rapists are cismen.) In The Devourers, the explicit rape is, thankfully, only a one-time event. However, I’m going to focus (in very general, non-explicit terms) on the abuse suffered by the narrator and the women around her in The Silence of the Girls. The rapes themselves were not explicit, but we stay with our narrator throughout the scenes. We’re shown the before (“He didn’t speak—perhaps he thought I wouldn’t be able to understand him—just jerked his thumb at the other room.” [page 23]) and the after (“What can I say? He wasn’t cruel.” [page 24]), and that is more than enough to tell the story.

At this point, I’d like to reiterate my earlier statements: It is a chilly day in hell that rape scenes are necessary.

But what happens when an author builds a world in which rape is a daily event for their characters? When the narrator is kept as a slave to warm her owner’s bed? What if the cast of a novel becomes the spoils of war?

We could, collectively or individually, refuse to tell or read those stories. I wouldn’t judge anyone if they took that course—no one should traumatize or re-traumatize themselves if they can avoid doing so. But in The Silence of the Girls, Pat Barker gives voice to a woman who has been silently borne along within the confines of Homer’s The Iliad for literally thousands of years.

The novel’s premise was enough to get me to pick it up, but the promise the book makes—that we will hear the words of a silent woman given a voice—became a burden and a responsibility I couldn’t put down.

The novel follows Briseis, a Trojan noblewoman given to Achilles after he sacked her town. It opens as she and the rest of the women from her town hide in the citadel as the Greeks overrun their home, then the citadel itself. Briseis watches as Achilles kills her three brothers and husband, then as the rest of the Greeks kill all of the male children hiding with their mothers and sisters in the citadel. Achilles picks Briseis out of a lineup as his prize for killing sixty men that day:

“‘Cheers, lads,’ he said. ‘She’ll do.’
“And everyone, every single man in that vast arena, laughed.” (page 19)

Clearly, The Silence of the Girls is heavy on multiple fronts, but Briseis is the primary narrator. Hers is the only first-person point of view, and The Silence of the Girls is her story. Looking away, despite the assaults that were clearly on the horizon from the first page, felt like an unworthy and overly privileged decision.

The Iliad’s inciting incident centers around two Greek men squabbling over two captive Trojan women. Agamemnon, who was in charge of all the Greek forces, was forced to return his “bed-girl” to her father, so he took Achilles’ own prize woman, Briseis, as his own. Achilles then threw a hissy fit and refused to fight anymore.

Neither Briseis nor Agamemnon’s bed-girl, however, speaks in The Iliad. They are objects, not characters.

The girl freed from Agamemnon was named Chryseis, which means only “daughter of Chryses.” But in The Silence of the Girls, Chryseis is more than just the daughter of a priest. She is fifteen, with a “formidable reserve,” and she nearly shatters under the weight of her hope that Agamemnon will send her home to her father. (page 42) Chryseis is a person, as is every other woman she and Briseis spend their days with. And it is worth noting that, while the majority of Briseis’ narration is exposition, the few times that dialogue runs the length of a page or beyond are when the women gather and speak. It’s ordinary conversation—what the men are like in bed, how to make their new lives bearable, who serves which meals—but it’s theirs.

Outside of speaking to the women around her, Briseis speaks almost exclusively to the reader. She exchanges only a handful of sentences with Achilles over the entire course of the novel, but constantly argues with herself:

Would you really have married the man who’d killed your brothers?
“Well, first of all, I wouldn’t have been given a choice. But yes, probably. Yes. I was a slave, and a slave will do anything, anything at all, to stop being a thing and become a person again.” (page 82-83)

This is how she survives the nightly rapes, by disassociating herself from her personhood. She’s not explicit in her descriptions, but we frequently return to the narrative immediately afterward. The only time that we return specifically to Achilles’ or Agamemnon’s bedrooms (Agamemnon’s because Achilles did indeed let Agamemnon take her) is when something changes. For example, Briseis walks into the ocean one evening, then is summoned before she has time to clean the salt from her skin, and she and we are both treated to an uncomfortable display of passion by Achilles. That is the beginning of her and our shared understanding of his many, many mommy issues. (His mother is a sea goddess.)

Briseis is more interested in the rest of the world around her than in the men who own her. Even when Agamemnon takes her in anger, all she tells us is, “So what did he do that was so terrible? Nothing much, I suppose, nothing I hadn’t been expecting.” She watches those men—not like a hawk, but like a mouse in fear of its life—but she doesn’t speak to them. She speaks to us.

It felt like the height of cruelty to put down The Silence of the Girls even for an afternoon’s rest because I, as the reader, controlled when and how loudly she spoke more than Achilles ever could.

It seems like such a small thing in the middle of the real world’s myriad crises, to bend my own proscription on books with rape in them. But I can’t go to the racial justice protests. I can’t help the individual people who are suffering and dying from the coronavirus pandemic, and I can’t do anything more than stay home and wear a mask when I absolutely must go out. And I can’t save Briseis from Achilles, or Chryseis from Agamemnon, or Hecamede from Nestor, or Ritsa from Machaon, or Andromache from Pyrrhus.

But I can watch and not look away.


S.M. MackS.M. Mack is a 2012 Clarion graduate with an MFA from the University of Southern Maine’s Stonecoast program. Her short story, “The Carrying Beam,” was the 2017 first place winner of the Katherine Patterson Prize for Young Adult Writing and was published in the VCFA’s Journal for the Arts, Hunger Mountain. Other stories have been published in Fireside Fiction and Vine Leaves Literary Journal’s “Best of 2015” anthology, among others. For more information visit her website or her Twitter.

Traci-Anne Canada: Exclusive Sirens Interview

We’re getting to know some members of the Sirens community! In this attendee interview series, we talk to scholars, creators, professionals, readers, and more: about their love of fantasy literature, their current work and passions, why they chose to attend Sirens, and what keeps them coming back. We think you’ll find that the Sirens community is full of fascinating, accomplished individuals with much to share—and we hope you’ll join us someday!

Today, Sirens Editor and Conference Administrator Candice Lindstrom interviews Traci-Anne Canada, a reader, teacher, and writer!

 

CANDICE LINDSTROM: You’re a teacher of both English and journalism. As you’re teaching, especially when real-world events are challenging or downright awful, what is your approach in selecting the books you ask your students to read? Do you look for different elements in the books that you select for your students than you might in a book you would read for yourself?

Traci-Anne Canada

TRACI-ANNE CANADA: I actually didn’t get to teach journalism. *sad face* I am in one of those counties that tells teachers for the most part what they are going to teach, but we are also very strongly encouraged to have classroom libraries. Between me personally buying books (I weep at how much I spend on my kids lol) and the donations I have gotten from my Amazon Wishlist and my connections in publishing, I have managed to get a sizable library. I spend the semester doing one-on-one book dates with students, pairing them with books based on movies or shows they enjoy, trying to get them to see that books can be just as fun. And since I predominately teach Black and Brown students, I try to show they can be heroes and heroines too.

My biggest way to help share books with students is our end-of-the-semester project, where they get to choose whatever book they want to do a multi-tiered project. That is one of the few times in their educational career where they get to choose what they will read. We will do a whole thing where they get to explore books and look at what could interest them. I believe it fosters an enjoyment of reading, which the forcing of reading certain books does not create.

As for looking at elements in the books, I try to figure out what the student likes and pair them with a book. It is less about what I would read myself, though many of the books on my shelves are ones I read.

 

CANDICE: Do you use fantasy and science fiction literature in your classroom? If so, how do your students respond to that—and do they respond differently than they might to the more traditional course curriculum?

TRACI-ANNE: Unfortunately, because we do not get to choose our own books to teach, I do not teach much science fiction or fantasy. We occasionally get to explore folktales, which can have fantasy elements. Some students do choose SFF books for their final project. I would love to be able to teach SFF and am currently plotting ways to slide it into my curriculum more. 😉

 

CANDICE: As a reader, a teacher, and a writer, what do you wish for the future of fantasy and science fiction literature?

TRACI-ANNE: I would love to see more inclusivity. Not just with race and LGBTQ+ characters, but different faiths and people who are differently abled. Since I write kidlit, I mostly want kids from all walks of life to be able to see themselves. Looking at the 2019 Cooperative Children’s Book Center stats, there are more books with cars/animals/inanimate objects as main characters than there are of all people of color combined. That is a problem and I think it should be a priority that we get more representation. While the CCBC is only about general kidlit, I believe that we would see even worse stats in SFF and the adult realm.

 

CANDICE: As a storyteller—and English teacher—do you think the way the world tells stories has changed? Has the audience changed? Perhaps neither or both?

TRACI-ANNE: I believe that the perception of the way the world tells stories has changed. With more cultures getting to tell their own stories, they are able to bring their storytelling styles to a wider audience. There is also the resurgence of oral storytelling that podcasts bring, and the short form of serials making a comeback and lending a hand in changing the way people tell stories. I don’t know if the audience has changed much. For years Black women have been the highest reading demographic and I just hope that publishing realizes this eventually.

 

CANDICE: Why did you first decide to come to Sirens? And then why did you decide to come back to Sirens?

TRACI-ANNE: I first decided to come to Sirens because my friend told me about a conference that focused on women and nonbinary people in SFF and I am a woman that reads and writes SFF so I was like, I’m in! I keep coming back because the community is so close and supportive and I love the vibe. It is a place I feel free to be me.

 

CANDICE: Sirens is about discussing and deconstructing both gender and fantasy literature. Would you please tell us about a woman or nonbinary person—a family member, a friend, a reader, an author, an editor, a character, anyone—who has changed your life?

TRACI-ANNE: I always say that the reason I became a teacher is because of my AP Literature teacher, Dr. Rhone. She inspired such a love for books in me and gave me the confidence I needed to dive into books. I’m not sure I would be writing or teaching literature without her.

 


Traci-Anne Canada is a high school literature teacher that moonlights as an MG and YA writer. She has been a part of the literary community for several years, particularly in the kidlit, romance, and Black literature sectors. She also runs a YouTube channel about books and writing. She lives in Atlanta, but can be found online on Twitter at @TraciAnneCan.

Candice Lindstrom is an assistant editor for a business magazine publisher covering women, LGBT, minority, and disabled-veteran enterprises. In a past life she edited young adult and adult fiction for a paranormal publisher. When not reading for work, she’s reading for pleasure in almost any genre, but speculative fiction is her first love.

Summer Nights with Amanda Hudson

The Sirens Review Squad is made up of Sirens volunteers who write reviews and books lists of fantasy and related works by women or nonbinary authors. If you’re interested in sending us a book list or review for publication, please email! Today, we welcome a book list from Amanda Hudson on summer vibes and escapist reading.

Now that it’s summer, I’m longing for vacation and daydreaming about setting off on an adventure with friends. Given the state of the world, I can’t exactly turn on my out-of-office response, pack my bags, and leave town on a spectacular summer trip. What I can do is pour myself a cup of tea, snuggle down in my PJs, and crack open one of the dozen books sitting on my bookshelf.

If you, like me, are craving that summer vibe and an escape from the here and now, then I’ve got a book list for you. Not everyone is looking for the same summer experience, so pick the mood you’re craving below.

A Walk Through the Woods

Silver in the Woods

Silver in the Wood by Emily Tesh

This queer Green Man myth retelling is beautifully written and is perfect if you’re looking to walk into the woods, risking unknown dangers for the beauty you find there. And if you fall head-over-heels in love, have no fear, the sequel Drowned Country is due out in August. At just over 100 pages, this novella is the perfect afternoon escape, although I’ll warn you that you might find yourself lingering in the world for days after you finish.

Road Trip!

The Summer of Mariposas

Summer of the Mariposas by Guadalupe Garcia McCall

This is a book about the bond of sisters. I don’t have sisters, so what drew me to this book was the promise of an Odysseus-like journey from Texas to Mexico with five sisters seeking to return the body of a dead man. I feel the need to admit that I was born and raised in central Texas, and so this book is on my list not only because it’s an epic road trip that makes me miss those too-hot Texas summers and the mischief of my past, but also because it takes place across lands I know well.

Wayward Son

Wayward Son by Rainbow Rowell

Yes, this is a sequel to Carry On. If you liked Harry Potter, or even if you didn’t, but you like the sound of a chosen-one wizard who is bad at being the chosen one, and a snarky vampire roommate who wants to kill him, then jump on this series! That being said, if you wish you could get in your car and go on a classic American road trip, then Wayward Son is for you. Simon, Baz, and Penny are back and trouble keeps finding them as they speed across the American West with the top down (poor Baz) on their convertible.

Carefree Summer Nights

Night of Cake & Puppets

Night of Cake & Puppets by Laini Taylor

This novella is part of the Daughter of Smoke & Bone series but you don’t have to have read the series to be able to read this book. Here is where I admit that I have not read Daughter of Smoke & Bone. Sorry Amy. [Ed. note: Sirens co-chair Amy is also sorry!] I bought this book partly on recommendation of Sirens staff, and partly because the cover and book itself is delightfully bright pink and blue with artwork I loved. Then last fall I was having a rough day and I just wanted to pretend for a little while that I was completely carefree. This novella is the stand-alone story of a magically sweet first date. The book transported me to this feeling that anything was possible, and that taking a tiny risk would have a big reward. It made my heart swell with the potential of requited love. It made me smile into the palm of my hand and made my cheeks hurt with the sweetness of two kind of weird kids finding each other.

Taking to the High Seas

Seafire

Seafire by Natalie C. Parker

Caledonia is captain of an all-female pirate ship and she’s on a revenge mission. This book has friendship, romance, and tons of action. It’s a fast read that left me wanting to round up my best, most awesome friends, and captain a boat out into the open sea.

Dark Shores

Dark Shores by Danielle L. Jensen

Dark Shores introduces a new world with meddling gods and magic that blend so beautifully into the mysteries of the oceans. Teriana is blackmailed by rather Romanesque soldiers into helping them cross the “Endless Seas” so that they can conquer the East. In addition to the new world and magic system Jensen creates here, I have this book on the list because it made me feel like I was out on the open water with Teriana, and made me long to be back aboard a boat.

Traveling to Other Worlds

Furthermore

Furthermore by Tahereh Mafi

So far most of these books have been young adult or adult, but I’m including this middle grade book on the list because I read it back in 2017 and I still find myself thinking about its vibrant worlds years later. This is a book about a girl who has no color in a world where color is a currency and essentially magic. She goes on a quest with a boy who is not yet her friend to find her father who has disappeared. This book is about finding your value and it’s also about friendship. It’s a journey, and at its core, it reminds me of childhood summers spent with my friends, learning something about them and myself.

The Ten Thousand Doors of January

The Ten Thousand Doors of January by Alix E. Harrow

January Scaller is a young girl left in the care of a rich white man while her father travels the world finding oddities to bring back to his boss. January finds a book that tells stories of magical doors to other worlds, and the tale of two people from different worlds who meet and fall in love. This portal fantasy took me all over the map. I thought I had it figured out at one point, and then it kept going. If you’re looking to go on a journey of emotions and wishing for a book that keeps you turning the page well after you should be asleep, dig right in to The Ten Thousand Doors of January.

Venturing to New Worlds

For some, nowhere on this planet is far enough away for the kind of voyage they’re looking for this summer. If that’s you, then let’s go to new worlds.

Dawn

Dawn by Octavia E. Butler

A friend of mine recommended this to me at a time when I didn’t think I liked science fiction. By the time I’d finished this book, I realized I was oh so wrong about the genre. The first in a trilogy, Dawn takes you far in the future to a spaceship with an alien race that at first seems completely foreign and new. I put this book on this list because Dawn stretched my imagination in ways that were not always comfortable, but I look back on it in the same way I look back on the part of vacation that at the time was ‘super intense’ but later is one of the best stories you can share. I find myself randomly thinking of this book sometimes just like I’ll randomly think of that time my car broke down on a tiny hardly-ever-used backroad in Costa Rica. Both make me smile. And both were summer adventures I won’t ever forget.

Binti

Binti by Nnedi Okorafor

I’ll be honest, I’m recommending the whole trilogy really. They’re novellas, so you might as well get them all. Binti is the first of her people to be offered a spot at the best university in the galaxy. Going away to this university is a big deal for so many reasons, and Binti struggles to hold on to her customs and stay connected with her family while tackling higher education. At its heart, this is a classic story of venturing away from home for the first time and finding out who you are in the process. The trilogy is on this list because it’s a rich tapestry of African culture blended with science fiction that takes the reader on a trip that feels familiar but new.


 

Amanda Hudson

Amanda Hudson drinks far too much black tea and is frequently caught carrying at least one book in her purse. In past lives, she practiced law in Texas and was a lore master for a video game developer in Sweden. When not reading or writing fantasy, Amanda is usually lifting weights, practicing yoga, or trying to con her friends into playing just one more board game with her.

Sirens 2020 Postponed to 2021

Sirens 2020 Postponed to 2021

Like you, we have spent the last few months anxious and stressed as we try again and again to determine the impact of COVID-19 on our families and our communities. As we navigate our fifth month of isolation, the picture of the months ahead has, unfortunately, become clear: We simply cannot hold Sirens safely in 2020. For the health and wellbeing of the Sirens community—guests and faculty, presenters, hotel staff, planning team, and all attendees—we are postponing our 2020 Sirens to October 21-24, 2021.

This is a postponement, not a cancellation. While we will convene a year later than intended, we will still gather at the Hilton Inverness Hotel just outside Denver, Colorado. The theme will still be villains, and we will still host guests of honor Dr. Kinitra D. Brooks, Rin Chupeco, Sarah Gailey, and Fonda Lee. The Sirens Studio will be held October 19-20, 2021, with guest of honor Joamette Gil and faculty Casey Blair, Rin Chupeco, Ren Iwamoto, Fonda Lee, Marie Brennan, Anna-Marie McLemore, Kinitra D. Brooks, and Jae Young Kim.

If you have registered for Sirens in 2020, made hotel registrations, or have had a programming proposal accepted, please check your email for more information on how to proceed. Our website has been updated with the 2021 dates, and all are still welcome to register at the current rate.

2020 Activities

As you know, Sirens is carefully designed to foster community through an in-person conference, retreat, and experience. While some events have shifted to an online platform for 2020, recreating Sirens virtually is, of course, not as simple as setting up a few Zoom calls. Rather than ask our volunteer planning team, our guests and faculty, and our presenters to climb that particular mountain in a short time, we’ve elected not to offer Sirens online.

We are, however, planning online community gatherings, essays, interviews, book features, and more in 2020—including a number of offerings for the weekend that Sirens was to occur this October. We know that everyone is disappointed about not having Sirens this fall and about not having that weekend of rejuvenation with the Sirens community. Stay tuned for what we will be doing from a safe distance!

Our Thanks

Thank you for understanding about our postponement of Sirens. It’s clear to us that, in a year where every aspect of life is affected by COVID-19, the need for community and connection is as important as ever, as is a thoughtfully curated space to host challenging conversations. And it’s ironic that in a year when we expected to be discussing villains and villainy in a broad sense, a very tiny, invisible villain has disrupted our plans in ways we never dreamed would happen—and we’ve imagined our way through many disaster scenarios over the years!

We will miss you terribly this year. But we are hopeful that by the next, we’ll be in a better, safer place, and that we will be able to provide the conference you expect from us. In the meantime, we’ll be working with our team, our guests and faculty, our presenters, the hotel, and all of you, toward 2021. We very much hope to see you then.

Finally, here’s a special video message from the 2021 guests of honor, faculty, and Sirens staff with our well-wishes:

 

Presented by Narrate Conferences, Inc.

 

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